Competences - 02 10 40 05 25 Monitor mixing in a live situation

Page / - last modified by Randell Greenlee on 2022/01/31 05:54

02 10 40 05 25 Monitor mixing in a live situation

last modified by Randell Greenlee

on 2022/01/31 05:54

Table of Contents

Monitor mixing in a live situation (02 10 40 05 25)

ESCO description

In other languages

Development notes

Sectoral layer

Sectoral detail

Assessment

Training

References

Contents

Monitor mixing in a live situation (02 10 40 05 25)

ESCO description

In other languages

Development notes

Sectoral layer

Structure

Sectoral detail

Skills

Knowledge

Autonomy / Attitude

Assessment

Self assessment

Mentor assessment

Acceptable assessment methods

Training

References

Monitor mixing in a live situation (02 10 40 05 25)

ESCO description

Title	Monitor mixing in a live situation
Description:	Oversee mixing in a live audio situation, under own responsibility.
Scope note:	n.a.
Concept URI:	http://data.europa.eu/esco/skill/3443f825-fe5b-4f7a-80c9-968130ed0297
ESCO version:	1.08

In other languages

Deutsch:	Klangabmischung in Live-Situationen überwachen (Überwachung des Mischens in einer Live-Audio-Situation unter eigener Verantwortung.)
Nederlands:	toezicht houden op mixen bij live gebeurtenissen (Toezicht houden op mengen bij live gebeurtenissen, onder eigen verantwoordelijkheid.)
Italiano:	controllare il mixaggio dal vivo (Controllare il mixaggio dal vivo, sotto la propria responsabilità.)

Development notes

Status: final read / finalised (date)

(The notes below will be removed at the end of the project)

References?

Sectoral layer

(The sector layer contains the refined definition of the ESCO competences in sector specific wording)

Structure

Field and subfield:	02 10
Place in the process:	40
Level:	05
Unique identifier:	25

Sectoral detail

Skills

Adjust the levels of the overall balance according to requirements of each performer

Adjust effects and processors

Add balance according to the performance and requirements of the front of house mixer

Anticipate stage actions

Ensure the desired artistic quality

Knowledge

Knowledge of the sound equipment

Sound mixing and signal processing techniques

Acoustical properties of the space

Different genres of music and types of instruments

Sound qualities of different instruments

Intentions of the sound designer the performance/music

National legislation for the safe sound levels

Autonomy / Attitude

Respect for the performance

Respect for the team

Awareness of risks related to sound levels

Assessment

Self assessment

I don't know how to oversee mixing in a live audio situation, under own responsibility.

I am uncertain how to oversee mixing in a live audio situation, under own responsibility.

I know how to oversee mixing in a live audio situation, under own responsibility.

I am more than able to oversee mixing in a live audio situation, under own responsibility.

Mentor assessment

... doesn't know how to oversee mixing in a live audio situation, under own responsibility.

... is uncertain how to oversee mixing in a live audio situation, under own responsibility.

... knows how to oversee mixing in a live audio situation, under own responsibility.

... is more than able to oversee mixing in a live audio situation, under own responsibility.

Acceptable assessment methods

Observation in Simulated Environment

Observation on Site

Supportive:

Structured Portfolio

Criterion Based Interview

Training

Practicing different set-ups and different applications (events, theatre, live-music...). It is important that the candidate learns to hear and differentiate between individual instruments and sounds.

References

Germany: Fachkraft für Veranstaltungstechnik – Event Technology Specialist - Learning Area A: Skills, Knowledge and Competences – (Item 5c) Position and set up microphones, configure and set up sound mixers and carry out a sound check, Note influences such as reflection and reverberation, Prepare sound mixing consoles (e.g. channels, subgroup routing, monitoring), Parameterize individual channels, Perform the master mix – BiBB Bundesinstitut für Berufsbildung, AUSBILDUNG GESTALTEN - Fachkraft für Veranstaltungstechnik, Bonn 2017, ISBN: 978-3-7639-5873-3 (Print), ISBN: 978-3-96208-021-1 (PDF)

Netherlands: Qualification File Stage and Event Technology, crebonumber 79040, learning area P2-K1-W3: Bedient geluidstechniek tijdens de uitvoering van de podiumproductie. SBB, Sectorchambre ICT and Creative Industry, version 2022 (to be released August 2022), Zoetermeer 2021

TTT-LPT - Live Performance Techniques, Competence Units for Technical Theatre, 02 00 40 01 Monitor mixing in a live situation, Page 70