Competences - 02 10 40 05 25 Monitor mixing in a live situation 

Page / - last modified by Randell Greenlee on 2022/01/31 05:54 

02 10 40 05 25 Monitor mixing in a live situation 
last modified by Randell Greenlee
on 2022/01/31 05:54

Table of Contents
Monitor mixing in a live situation (02 10 40 05 25)
ESCO description
In other languages
Development notes
Sectoral layer
Sectoral detail
Assessment
Training
References

Contents
•	Monitor mixing in a live situation (02 10 40 05 25)
•	ESCO description
•	In other languages
•	Development notes
•	Sectoral layer
•	Structure
•	Sectoral detail
•	Skills
•	Knowledge
•	Autonomy / Attitude
•	Assessment
•	Self assessment
•	Mentor assessment
•	Acceptable assessment methods
•	Training
•	References
Monitor mixing in a live situation (02 10 40 05 25)
ESCO description
Title | Monitor mixing in a live situation
Description: | Oversee mixing in a live audio situation, under own responsibility.
Scope note: | n.a.
Concept URI: | http://data.europa.eu/esco/skill/3443f825-fe5b-4f7a-80c9-968130ed0297
ESCO version: | 1.08
In other languages
Deutsch: | Klangabmischung in Live-Situationen überwachen (Überwachung des Mischens in einer Live-Audio-Situation unter eigener Verantwortung.)
Nederlands: | toezicht houden op mixen bij live gebeurtenissen (Toezicht houden op mengen bij live gebeurtenissen, onder eigen verantwoordelijkheid.)
Italiano: | controllare il mixaggio dal vivo (Controllare il mixaggio dal vivo, sotto la propria responsabilità.)

Development notes
Status: final read / finalised (date)
(The notes below will be removed at the end of the project)
References?

Sectoral layer
(The sector layer contains the refined definition of the ESCO competences in sector specific wording)
Structure
Field and subfield: | 02 10
Place in the process: | 40
Level: | 05
Unique identifier: | 25

Sectoral detail
Skills
•	Adjust the levels of the overall balance according to requirements of each performer
•	Adjust effects and processors
•	Add balance according to the performance and requirements of the front of house mixer
•	Anticipate stage actions
•	Ensure the desired artistic quality
Knowledge
•	Knowledge of the sound equipment
•	Sound mixing and signal processing techniques
•	Acoustical properties of the space
•	Different genres of music and types of instruments
•	Sound qualities of different instruments
•	Intentions of the sound designer the performance/music
•	National legislation for the safe sound levels
Autonomy / Attitude
•	Respect for the performance
•	Respect for the team
•	Awareness of risks related to sound levels

Assessment
Self assessment
 1.	I don't know how to oversee mixing in a live audio situation, under own responsibility.
 2.	I am uncertain how to oversee mixing in a live audio situation, under own responsibility.
 3.	I know how to oversee mixing in a live audio situation, under own responsibility.
 4.	I am more than able to oversee mixing in a live audio situation, under own responsibility.
Mentor assessment
 1.	... doesn't know how to oversee mixing in a live audio situation, under own responsibility.
 2.	... is uncertain how to oversee mixing in a live audio situation, under own responsibility.
 3.	... knows how to oversee mixing in a live audio situation, under own responsibility.
 4.	... is more than able to oversee mixing in a live audio situation, under own responsibility.
Acceptable assessment methods
•	Observation in Simulated Environment
•	Observation on Site
•	Supportive:
•	Structured Portfolio
•	Criterion Based Interview

Training
Practicing different set-ups and different applications (events, theatre, live-music...). It is important that the candidate learns to hear and differentiate between individual instruments and sounds.

References
•	Germany: Fachkraft für Veranstaltungstechnik – Event Technology Specialist - Learning Area A: Skills, Knowledge and Competences – (Item 5c) Position and set up microphones, configure and set up sound mixers and carry out a sound check, Note influences such as reflection and reverberation, Prepare sound mixing consoles (e.g. channels, subgroup routing, monitoring), Parameterize individual channels, Perform the master mix – BiBB Bundesinstitut für Berufsbildung, AUSBILDUNG GESTALTEN - Fachkraft für Veranstaltungstechnik, Bonn 2017, ISBN: 978-3-7639-5873-3 (Print), ISBN: 978-3-96208-021-1 (PDF)
•	Netherlands: Qualification File Stage and Event Technology, crebonumber 79040, learning area P2-K1-W3: Bedient geluidstechniek tijdens de uitvoering van de podiumproductie. SBB, Sectorchambre ICT and Creative Industry, version 2022 (to be released August 2022), Zoetermeer 2021
•	TTT-LPT - Live Performance Techniques, Competence Units for Technical Theatre, 02 00 40 01 Monitor mixing in a live situation, Page 70