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2	2	{{toc/}}
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5		-= [[Description>>doc:01 Sectoral Layer.Sectoral Layer Glossary.Description.WebHome]] =
	5	+= [[Description>>Description]] =
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7		-===== Sound for events and live performance is the use of technical equipment to reinforce or enhance the acoustical experience as it applies to the performer, the acoustical atmosphere, the script, products or the event or performance space. Audio technicians working in the live performance and event industry normally set up sound reinforcement systems (public address systems). They use specialized equipment such as microphones, mixing consoles, recording equipment, amplifiers, loudspeakers and IT-systems in a live environment. =====
	7	+===== Audio technicians work in the live performance and event industry to set up sound reinforcement systems (public address systems) using mixing consoles, recording equipment and sound reinforcement systems. set up, in movie theatres, and design and setup of piped music in hotels and restaurants. Professional audio equipment is sold at professional audio stores and music stores. =====
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9		-===== This equipment can be found in many event and live-performance sound applications, including the theatre, corporate events, concerts, trade shows, broadcast television, film production, photographic studios, and other types of live events. =====
	9	+**[[Title >>doc:01 Sectoral Layer.Sectoral Layer Glossary.Title.WebHome]]Sound Unit**
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11		-===== The competences listed in TeBeVAT are common for audio technicians in all areas of sound in the sector. =====
	11	+**[[Description>>doc:01 Sectoral Layer.Sectoral Layer Glossary.Description.WebHome]]**
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13		-= [[Scope note>>doc:01 Sectoral Layer.Sectoral Layer Glossary.Scope note.WebHome]] =
	13	+**[[Scope note>>doc:01 Sectoral Layer.Sectoral Layer Glossary.Scope note.WebHome]]**
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15		-===== ESCO: essential skills/competences of =====
16		-
17		-* audio production technician
18		-* sound designer
19		-* sound operator
20		-* stage technician
21		-* theatre technician
22		-
23		-In comparison to a recording studio setting, audio recording techniques **can** be somewhat different in the live performance and event sectors. The goal is the optimal "live" sound and not the "recorded" sound.
24		-
25		-(((
26		-
27		-)))
28		-
29	29	= Competences =
30	30
31	31	==== Independent (00) ====